Category Archive for ‘reviews’
Posted on June 23rd, 2015 in reviews
SFX, the world’s biggest SF&F magazine, have spoken on the forthcoming Half a War, and they have spoken 5 starrily:
“The final instalment in the Shattered Sea series is the perfect ending to an outstanding YA trilogy … Joe Abercrombie has long been the master of grim and gritty fantasy, but Half a War proves that he’s got all the skills of a master romance writer. The battles are bloody, the twists are shocking, and the deaths are heartbreaking.”
As it happens, SciFi Now also have an early review, and they quite liked it too…
“In his Shattered Sea saga, Abercrombie has created a series that is by shades engaging, mesmerising and jaw-dropping, possessing themes and complex characters so rarely interrogated by YA fiction.”
Less than a month to go now … Half a War is out in the UK on 16th July and the US on 28th July. Further details, an extract, and preorder information over here…
Posted on December 31st, 2014 in announcements, appearances, film and tv, games, news, reading, reviews, whisky deathmatch
New Year’s Eve, my friends, and you know what that means? Yes, indeed, I am 40 years old today. You would never think I used to be young. Truly horrifyingly, this is my 6th yearly review post. I’ll have to have a review of my best yearly review posts one of these new year’s eves…
A YEAR IN BOOKSELLING – Again, in spite of all my complaints, I really can’t complain. Partly due to the ongoing success of Game of Thrones, I’m sure, The First Law books continue to chug along very, very nicely. I had a short story in Martin and Dozois’ highly successful Rogues anthology in June. Then Half a King came out in July and made no. 3 on the Sunday Times hardcover list, which matches the ranking of The Heroes way back in 2010 but at a much more competitive time of year. I toured more extensively than I ever have before, with some 15 events in the UK, all of them pretty well attended, and I did a few bookshop events down the west coast of the US for the first time too and made it to Comic Con in San Diego, to Sicily, to Lucca, and a third visit to my old friends in Aviles, Spain.
A YEAR IN BOOK WRITING – The heavy touring schedule through July and August got in the way somewhat, but even so it was a good year in the writing department too, if a pretty demanding one. I wrote the last quarter of Half the World, revised and edited it, then wrote a first draft of Half a War, and gave it a fair hammering this month to produce a second draft that I’m starting to get happy with. I’ve a few more things to do and another pass through focusing on the secondary characters to get to a decent third draft which I can hand in to my editors mid January, but the book’s mostly there. Seems like only yesterday I was pitching this series to publishers and now it’s nearly done…
BOOKS – I really am hardly reading at all these days, it’s a disgrace. When I finish Half a War I desperately need to take my foot off the gas and start reading again, hoover up some ideas and inspiration, catch up on the truly massive backlog I’ve got sitting in tottering heaps all around me. But two things I read this year that I’d certainly recommend are Kameron Hurley’s God’s War, and Jeff Vandermeer’s Annihilation. Neither the kind of thing I write, particularly, but then who wants to piss where they eat…?
TV and FILM – Boy, the cinema has barely registered this year. I think the only film I reviewed was Fury, which was OK but ultimately a gritty wrapper around a rather traditional, sentimental war movie. Guardians of the Galaxy was good fun but I was a little underwhelmed after all the nerdgasms I’d seen about it – seemed like more of the Marvel same in the end, if with a few more laughs. Gone Girl was a very well-made film but seemed a bit hamstrung by a really odd casting choice in Ben Affleck – the guy just comes across as too much of a likeable lunkhead and I felt they needed someone much darker and more dangerous to really balance the central relationship and make us unsure what was going on. Rather than equally evil couple of bastards reap the whirlwind they sow for each other, we got mildly unpleasant idiot is totally screwed over by his psychopathic wife, and that’s a lot less interesting in all kinds of ways. For me the TV standout was the searing climax of Breaking Bad, which has to be one of the greatest pieces of TV I’ve ever seen, about as close as you’ll get to a single 5 season story arc with novelistic coherence of theme and character. Highly honourable mentions to a bloody, strange and gritty second season of Vikings and the punishing 3rd and 4th seasons of The Walking Dead after its slightly limited 2nd season. Justified continues to be elevated way above its rather banal set-up by great script and acting in which every character overflows with Elmore Leonard-y detail. Orphan Black was good largely thanks to its brilliant central multiple performance. Suits is entertaining if a little lightweight. The Good Wife continues to be highly watchable and always that little bit darker than you expect. Arrow was enjoyable enough superhero hokum but fell short of its gritty ambitions. Black Sails was enjoyable enough pirate hokum, good when it put to sea but too often foundering on land. The 1st season of House of Cards was very strong, with a great mood and super central performances from Kevin Spacey and Robin Wright, but I felt the 2nd season was a lot less believable. Hell on Wheels sadly crashed off the rails for me in its 3rd season after an action-packed 2nd.
GAMES – Last year had some splendiferous stuff in the form of The Last of Us, Bioshock, Tomb Raider, Telltale’s Walking Dead etc. as developers pushed the last generation of consoles to their limits and stretched unused storytelling muscles while doing it. This year began on a high with Dark Souls II, more ultra dark, ultra hard Japanese/Western hybrid roleplaying but with the difficulty softened just a little this time around. Moving over to PS4, the results have been a little more pedestrian than last year. Destiny was pretty and compelling and did give me a hell of a lot of gaming hours but ultimately was a slightly empty experience. Diablo III I found rather by-the-yard-y. Far Cry 4 good, but very much like Far Cry 3. Which leaves Dragon Age: Inquisition as my personal game of the year. One could criticise the gameplay, the voice acting, and the somewhat vanilla plot line, but the world, characters, detail and sense of immersion were top class.
WHISKY – Lack of time meant my planned Whisky Deathmatch: Islay Bloodfeud never happened. Well, it happened in the sense that I drunk the whisky, I just didn’t get round to writing about it. In brief, though, bottles I’ve particularly enjoyed this year: Lagavulin 12yo cask strength (smashed in the face with a sack of burned lemons), Ardbeg Supernova 2014 (Ardbeg, only more so, and with a touch of sweetness to it), Laphroaig Triple Wood (salty medicinal goodness with a sherry-wood softening), Amrut Fusion (awesome whisky distilled in India from Scottish and Himalayan barley), Talisker 30yo cask strength (full fathom five thy father lies).
CONTROVERSIES – I noted last year that after 7 or 8 years in the business I’m getting less and less interested in the cyclical nature of genre commentary. I’ve already expressed my opinion one way or another on most issues of note, and when they come up again, I find a world weary sigh gets across most of what I feel, an attitude reflected in my post on this year’s controversial Hugo Awards. That’s part of the reason for the greatly reduced blog presence of late, though that’s also a function of the sheer amount of stuff I’ve got going on. I’m finding twitter (@LordGrimdark) a better medium for general conversation, and I’m tending to use the blog only for more considerable announcements and reviews. This relatively thin level of posting may well continue next year, because…
THE YEAR AHEAD – My, oh, my, but 2015 is shaping up to be a busy one. I’ve already got visits confirmed to Detroit in Jan, Australia in Feb, Dubai in March and St. Petersburg in April. I’ve got not one but TWO books coming out: Half the World in February and Half a War in July, the first time I’ve done a publishing schedule anything like so densely packed. Since I toured in the UK and US only a few months back there probably won’t be a lot of events for Half the World, but expect another full-on tour in July for Half a War. Writing-wise, I’m going to be kept fully busy until the end of February with edits and revision on Half a War, then I’ve got a few short stories to write to complete a collection which will hopefully come out some time in 2016. It’s looking as if the main part of next year may be given over to some exciting non-book projects, of which more in due course, but I also need to lay the groundwork and do some thinking for another trilogy in the First Law world, although the publication of that looks like it will be some way off…
Happy new year, readers!
Posted on July 3rd, 2014 in announcements, reviews
I am delighted to announce that the UK edition of Half a King is published today: in Hardcover, Ebook, and unabridged audiobook read by Ben Elliot.
“Prince Yarvi has vowed to regain his throne.
First he must survive cruelty, chains and the bitter waters of the Shattered Sea. And he must do it all with only one good hand.
The deceived will become the deceiver.
Born a weakling in the eyes of the world, Yarvi cannot grip a shield or swing an axe, so he must sharpen his mind to a deadly edge.
The Betrayed will become the betrayer.
Gathering a strange fellowship of the outcast, he finds they can help him more than any noble could.
Will the usurped become the usurper?
Even with loyal friends at his side, Yarvi’s path may end as it began – in twists, and traps and the death of a king…”
A few kind words about the book from critics and peers…
“Joe Abercrombie does it again. Half a King is another page-turner from Britain’s hottest young fantasist, a fast-paced tale of betrayal and revenge that grabbed me from page one and refused to let go.”
– George RR Martin, author of A Game of Thrones
“Half a King is a remarkable achievement — thrilling, enthralling, and relentless. The action is frenetic, the characters are as sharp as the blades they wield, and the humour is biting.”
– Derek Landy, author of the Skulduggery Pleasant novels
“Abercrombie’s stellar prose style and clever plot twists will be sure to please both adult and teen readers.”
– Publishers Weekly, starred review
“Enthralling. An up-all-night read.”
– Robin Hobb, author of the Farseer novels
“I got all the grit that I love in Abercrombie, and the craft, and the character…but it never got so far as being bleak. Simply said, I think this is my favorite Abercrombie book yet. And that’s really saying something.”
– Patrick Rothfuss, author of The Name of the Wind
“Gripping as a bear hug, warming as a bear skin.”
– The Daily Mail
“Friends turn out to be enemies, enemies turn out to be friends; the line between good and evil is murky indeed; and nothing goes quite as we expect … With eye-popping plot twists and rollicking good action, Half a King is definitely a full adventure.”
– Rick Riordan, author of the Percy Jackson books
“Classic Abercrombie, and yet also something unexpected — grimdark fantasy for people who aren’t necessarily very young.”
– SFX, 5 star review
And here’s the book trailer:
I’ve already done five great events on tour and there are plenty more to go, including a signing in Central London this afternoon (3rd July) from 4.30 at the wonderful Goldsboro Books, Covent Garden, where the first 100 in line will get numbered 1st Editions from a limited run of 250. But if you can’t make a signing, worry not, Waterstones up and down the country have signed stock and Amazon are offering the hardcover for a cutting-our-own-throats £5 and the kindle for £4.35. Sound good to you? You’ll find some buying options, further information and a considerable extract over here.
Posted on May 7th, 2014 in reviews
Let’s face it, if you’re a regular visitor to this site, the chances are reasonably high you’re already planning to give Half a King a try when it comes out in July. But just in case any of you are still lurking on the fence, Publishers Weekly have given the book a very enthusiastic starred review (and one star, in this case, is a good thing – no stars=a book, a star=a noteworthy and important book):
“In this superb fantasy trilogy kickoff, Abercrombie (the First Law trilogy) regales readers with the tale of a young man who is thrust onto the throne by unexpected betrayal. Yarvi, the king’s second son, is not destined for the Black Chair or kingship of Gettland: he has a withered left hand, and is bound to become a minister. But everything changes when his brother and father are murdered. Yarvi is clever and knowledgeable, thanks to the years he spent studying for the ministry, but none of that will amount to much unless he can survive the sheer cruelty of being raised to the crown, nearly murdered, and traded into slavery in the span of days. The one thing he knows is that he plans to live long enough to take revenge on his father’s killer—when he finds out who it was. Abercrombie’s stellar prose style and clever plot twists will be sure to please both adult and teen readers.”
Just thought I’d mention it, since we were both in the neighbourhood…
Posted on April 11th, 2014 in reviews
Delighted to say that I got a quote for Half a King from some George RR Martin guy. Not familiar with his work myself but apparently he wrote some Game of Thrones thing which is quite popular at the moment…
“Joe Abercrombie does it again. Half a King is another page-turner from Britain’s hottest young fantasist, a fast-paced tale of betrayal and revenge that grabbed me from page one and refused to let go.”
In all seriousness, it’s always great to get a quote from a popular author, but George is one of very few living writers that I think had a big impact on the way that I write. When I first read A Game of Thrones back in the 90s (oh God, can it really be nearly 20 years ago?), I saw summed up in that book a lot of things I felt had been missing in commercial fantasy – the shocks, the grit, the vivid characters, the moral ambiguity, the brutal disregard for convention. Seeing that you could write a book like that and still stay firmly within epic fantasy was a big inspiration to me, and without A Game of Thrones I don’t think the First Law would have been as it is, if it happened at all. Admiration is always great, but admiration from people you admire is that much greaterer, so I’ll hope you’ll allow me this moment of insufferable smugness.
Should you hold George’s opinion in as high esteem as I do, you might consider preordering Half a King, or if you’re still undecided reading a considerable extract over here…
On another note, I love that I’m in a profession where at 39 you can be considered young and exciting. Ryan Giggs is considered a freakish old man for continuing to play football past 40…
Posted on February 19th, 2014 in reviews
Advance Reader Copies of Half a King have been out in the wild for a couple of weeks now and a few bold pioneers have already read and commented upon them, and I must say the onslaught of positivity is almost enough to thaw the splinter of deadly ice I have for a heart. Shall we go over a couple? Why not. Just for you guys. Not for me. For you.
NYT bestseller Robin Hobb:
‘I’ve enjoyed Abercrombie’s books before but this one had an exceptionally tight focus on the protagonist that I really liked. And the story does not compromise anywhere. It’s a coming of age story but that trite description does it no justice. No spoilers here, just a whole hearted recommendation.’
NYT no. 1 bestseller Patrick Rothfuss:
‘I’ve been a fan of Abercrombie’s stuff for years. His worldbuilding is great, his characterization is marvelous, he writes an amazing action scene … That said, sometimes I put down one of his books and think to myself, “Well, I guess everything sucks and everyone in the world is awful and we’re all pretty much fucked in the end, aren’t we?” Sometimes his books leave me feeling a little bleak … This book didn’t hit me that way. I got all the grit that I love in Abercrombie, and the craft, and the character. And the book was grim… but it never got so far as being bleak. Simply said, I think this is my favorite Abercrombie book yet. And that’s really saying something.’
NYT no. 1 bestseller Rick Riordan:
‘I’m a big fan of Abercrombie’s stark gritty fantasy books for grown-ups. His fiction pulls no punches and takes no prisoners (unless those prisoners are later tortured and executed). So I was curious to see how he would approach the world of young adult fiction in Half a King. The answer: brilliantly … As in all Abercrombie’s books, friends turn out to be enemies, enemies turn out to be friends; the line between good and evil is murky indeed; and nothing goes quite as we expect. Abercrombie also throws in his trademark dark humor and got me to laugh even during some grim scenes. With eye-popping plot twists and rollicking good action, Half a King is definitely a full adventure.’
Myke Cole, author of Control Point:
‘HALF A KING can be summed up in a single word: Masterpiece … It’s a coming of age story. It’s a Viking saga. It’s a revenge tale and family drama and the return of the prodigal son. But most of all, it’s this: a short time alongside people as weak and blundering as we are, and in the midst of it all, as heroic. Far too short a time, as it turns out. What a wonderful book.’
Sam Sykes, author of Tome of the Undergates:
“holy crap this is a good book … Half A King is full of all the adventure I’ve come to expect from Abercrombie and a tenderness I never knew he had. There’s infinitely more to Joe Abercrombie than we ever thought.”
Sound good to you guys? Thought so. It’ll be out in July in the UK and US…
Happy Birthday to Me. Happy Birthday to Me. Happy Birthday dear MEEEE-EEEEE. Three cheers, anyone?
Yes, indeed, another year has flowed beneath the bridge at ever-increasing speed and I am 39 today. It’s round about 12 years since I started writing The Blade Itself back in 2001. Some 9 years since I signed my first book deal, and 7 and a half years since The Blade Itself was published in 2006, would you believe. Got a feeling it’s hard to argue that I’m new on the scene any longer… An interesting year this has been. Didn’t publish any new novels, but I made some big deals for three and wrote most of two of those.
Let’s break it down a little, shall we…?
A YEAR IN BOOKSELLING – In spite of all my complaints, I really can’t complain. No new novels published, though I did have short stories in a couple of anthologies: Legends and Dangerous Women. The Blade Itself continues to come out in languages and territories that have yet to be exposed to the sunny radiance of my literary presence – I think we’re up to nearly 30 translation deals now. Partly due to the huge success of GRRM’s Game of Thrones, I’m sure, The First Law books, especially the trilogy, would seem to be selling better and wider than ever. Which is nice. I’m told all six books, in all languages and formats, have sold somewhere around 3 million copies now, which really does beggar belief for stuff I dreamed up in the middle of the night for my own amusement. Less travelling this year, but a much enjoyed second visit to my pals at Celsius in Spain, and my first trip to Russia saw 250 people in a bookstore in St. Petersburg and a sleeper train back to Moscow with a very nice man who works in oil and gas called Mikhail. I spent most of June locked in negotiations for the publishing of my new YA (ish) trilogy which will be starting in July in the UK and US with Half a King, more detail on all of that over here. It looks as if 2014 might be a very big year for me…
A YEAR IN BOOK WRITING – A strong year, especially at the start and end. Quite possibly my most productive ever, certainly since 2007ish when I was finishing the First Law, long before I was a full-time writer and there were so many child-based and administrative demands on my time. I wrote the second half of Half a King, revised and edited it, planned Half the World and drafted three quarters of it, and wrote three short stories. Overall the move to a (slightly) different style of writing does feel like it’s done something to refresh my interest and recharge the batteries though, you know, it’s amazing how fast work becomes work again…
BOOKS – A level of reading that makes last year’s pitiful level look amazing, and most of what I did read was non-fiction about vikings. One thing that I did very much enjoy was Bernard Cornwell’s Saxon Chronicles starting with The Last Kingdom. Strongly written adventure stuff with some great battle scenes and a feeling of authenticity. I burned through four of them while in Russia, then got stalled on the fifth. Perhaps a slight sense of diminishing returns when read back to back. Otherwise, my tottering to read pile just gets ever higher. Don’t think that bad boy’s going to get any smaller, now…
TV and FILM – Boy it’s been slim pickens film-wise, I have to say, adding considerably to my ongoing conviction that the interesting stuff mostly happens on the small screen these days. Can’t think of anything that really did much for me at the cinema since I squeezed into the most packed viewing ever to see Les Mis back in January. Those big scifi and superhero blockbusters I saw didn’t do masses for me. I liked Star Trek Into Darkness a hell of a lot more than its predecessor, but that isn’t saying all that much. Kick-Ass 2 was entertaining but not exactly deep. Pacific Rim I thought was mostly nonsense and, no, geekdom, not in a good way. Man of Steel I didn’t even enjoy thinking about watching. The Hobbit – The Desolation of Smaug was a good deal better than the first instalment but a long way short of the Lord of the Rings, with the story bloated up like a steroid-popping body builder losing all charm and personality in favour of ACTION and SPECTACLE. Ah, well. TV was a great deal more promising. Breaking Bad got better and better (or possibly worse and worse) though I haven’t yet seen the final episodes so SHUT UP SHUT UP. Game of Thrones Season 2 was good, sometimes very good, after a slightly wobbly oversexed start. Hannibal was largely riveting stuff with some awesome design and some great performances, Vikings was an interestingly off-beat and authentic-feeling effort that I look forward to the continuation of, Hell on Wheels 1 and 2 were also promising. Justified Season 3 continued to improve on the sparky character-led police hijinks of the previous two series. Spartacus Vengeance was more of the same brilliant/awful lurid schlock. The Danes offered us a great final season of Borgen, and a not-so-great final season of the Killing. The French offered us the initially gripping and ultimately baffling The Returned. Sons of Anarchy I find watchable enough in the main but I wouldn’t be that bothered if I saw no more. Dexter still offers a few things to like but is really dribbling away by Season 6. I enjoyed Season 2 of the Walking Dead in spite of many issues, however they’ve sorted out most of those by a storming Season 3, the end of which I haven’t quite got to. Probably the most pleasure I got out of TV was soaking through my t-shirts with tears watching the full five season run of Friday Night Lights. You wouldn’t think a show about a Texas High School football team would be my cup of tea at all but, heavens, the acting, the scripting, the storytelling, the commentary on american life, the raw emotions. Brilliant Stuff. I’m tearing up again! Help me, coach, teach me how to be a man! Clear eyes, full hearts, can’t lose…
GAMES – After a slightly disappointing 2012, 2013 will be remembered as an absolutely vintage year. Good stuff often happens at the end of a hardware generation and some of this year’s releases were particularly noticeable not only for their technical strengths but for their strengths in character and narrative. The White-Knuckle Tomb Raider Reboot then the Mind-Bending Bioshock: Infinite both delivered powerful central story lines. For me, in spite of a far smaller budget, Telltale’s harrowing Walking Dead video game got closer to the holy grail of interactive drama than the fascinating yet flawed Beyond: Two Souls. Grand Theft Auto 5 was pretty triumphant however you look at it. The one player campaign may not quite have had the depth and thematic cohesion some of the previous outings offered, but for sheer quantity of content and realisation of a living, breathing, beautifully detailed free-roaming game world it is untouchable, and its multiplayer incarnation was rich and varied enough to get me finally playing something online for a significant chunk of time. In spite of the fierce, fierce competition, though, my game of the year has to be the magnificently stark and uncompromising The Last of Us, which for boldness, characterisation, detail of setting, richness of experience, seamless fusion of action and story and sheer narrative drive from first frame to last set new standards for scripted games.
BEST REVIEWS – No new books means no significant splurge of reviews, and I must confess that I’m finding reviews as a whole just a lot less fascinating than I used to. Partly it’s that you see the same points and arguments repeated over and over, partly it’s that I’m just not as fresh and interesting and review worthy as I once was, partly it’s that when you put together a hundred reviews of a book you tend to see pretty much every viewpoint expressed somewhere, and partly it’s that there seems to be less and less connection between the critical and commercial spheres and, I dunno, the commercial sphere just interests me a lot more. It seems more honest in the main. I get bored by the contempt for success and the celebration of obscurity you seem to get from a lot of ‘serious’ critics. Still, no doubt when people start to react to Half a King I’ll be glued to the interwebs for every grain of opinion once again…
CONTROVERSIES – Ongoing criticism of cynicism and darkness in fantasy, not to use that elusive term ‘grimdark’, caused me to write a post on The Value of Grit early in the year, which prompted a fair bit of response, but in a way it’s a reheating and re-examination of a familiar circular argument. There’s a degree to which, once you’ve spent a fair bit of time about the internet genre scene, you start to see the same comments and controversies coming up over and over in one guise or another and you’re forced to wonder whether you have any further substantial contribution, or even frothy outrage, to offer. That, and the fact I’ve talked about pretty much every aspect of the publishing scene at one time or another has caused me to cut back on the blogging slightly this year. I’m still going to be talking about TV, games, whisky, publishing, my forthcoming work, and all the other stuff I’ve always talked about when there are substantial posts to make, but I’m also reasonably active on Twitter these days (@LordGrimdark), and some of the smaller comments and announcements (not to mention arguments) are happening over there…
Happy new year, readers!
One of my favourite sf&f bloggers, Justin Landon, is doing a reread of the entire First Law over at Tor.com. This week there’s a little introduction, some discussion of the series’ place in the gritty fantasy pantheon (or Grimdark, if you prefer that term), the controversial assertion that I’m older than Brent Weeks and less good-looking than China Mieville, and an examination of the prologue. I believe Justin’s going to be covering two or three chapters a week thereafter, as the mood takes him. If you’re taking on the books for the first time, you might not want to broach the comments there, which get more than a little spoilery. But if you were considering a reread, now might be the time to do it, and pitch into the discussion…?
Of course, a REBUY is the only option for the true fan.
There was a time I ruthlessly tracked down and linked to every shred of opinion about my books I could find anywhere on the internet. This was inevitable, but I’m not sure entirely helpful for anyone involved. These days it takes something of particular interest to stir me, and I cannot help but notice an opinion on Best Served Cold from none other than NYT no. 1 Bestselling author Rick Riordan:
“When mercenary general Monza Murcatto is brutally betrayed by her employer, she decides to take revenge against all odds, regardless of the consequences. Sounds like a simple plot, but nothing is simple about the way the story unfolds. Loyalties change, good and evil become increasingly hard to distinguish, friends become enemies who become friends again. The relationships and turns of fortune are every bit as punishing and convoluted as Game of Thrones, and I mean that as a compliment. Abercrombie makes you care about each character, no matter how flawed they are. It was also great to see old acquaintances from The First Law series pop up here and there in this book. If you’re looking for an engaging story with epic adventure, plenty of violence, and characters who are three-dimensional (at least until the author puts them through the meat grinder and they come out flattened!) definitely check out Abercrombie’s work.”
Also interesting (to me at least) was an in depth review of The First Law at Shelf Inflicited. Loads of spoilers in this if, for reasons I cannot fathom, you have yet to read that seminal example of gritty modern fantasy (strange use of lower-case ‘i’ is original):
“i felt attacked; i felt like the rug was pulled out from under me; i felt as if all that i held to be important and meaningful were simply false constructs based on lazy thinking and a complacency with what i have automatically considered as “good”, as “right”. being challenged like that is a rare thing. i like.”
And finally, good news! Red Country has been shortlisted for the British Fantasy Society’s Robert Holdstock Award for best fantasy novel. That’s my third time in a row on this particular ballot, but with Lou Morgan, Margo Lanagan, Graham Joyce, and China Mieville also shortlisted, I shan’t be holding any breath…
Thought I’d post a few little things which came my way via twitter. First off, a brilliant piece of what you might call done-for-the-joy-of-it Red Country art from British Comic Book Artist Gary Frank:
It’s been quite a while since I’ve posted any reviews, as well, but there’s a particularly insightful (not to mention complimentary) one of The Heroes from the aptly titled Unclekins:
“All the key ingredients that made Abercrombie’s earlier books stand out – the very real feeling characters, the naturalistic dialogue, the genuinely sharp wit … are present and correct. But it’s the story it tells that makes The Heroes an audacious book.”
And finally a few of my favourite blogger/critic/genre-commentator type people have been simultaneously posting their lists of 50 Essential Epic Fantasy works, and what do you know, the works of Joe Abercrombie appear on three of the four. Liz Bourke was the first to unleash her life-changing praise upon me:
“I read the first book. I didn’t really like it. But Abercrombie’s success – and, consequently, his influence on the features of epic fantasy – can’t be denied.”
My books are poor, but my success cannot be ignored! Better than the other way around, I guess. Justin Landon was more enthusiastic:
“George R.R. Martin started the modern grim fantasy, but Abercrombie perfected it. His work is biting, and harsh, and riddled with black humor. Essential.”
And Jared Shurin of Pornokitsch had a little more to say:
“Like any other trend, a couple people (Martin, Abercrombie) did something really, really interesting – they explored the idea that ‘actually a fantasy world would be really brutal/disease-ridden/awful on a day-by-day basis’. Their commercial success was immediately followed by dozens of pale imitations, all based on the false assumption that readers love them some diseased brutality. It is always easy to poach an aesthetic. The actual underlying insight? Harder to copy.”
I’m off up to London for more meetings tomorrow, and there may well be quite an exciting announcement coming soon, definitely for me, and possibly even for YOU. Until then…