Category Archive for ‘whisky deathmatch’
Posted on December 31st, 2015 in announcements, film and tv, games, news, process, whisky deathmatch
New Year’s Eve, and you know what that means? Happy birthday to me. Yes, indeed, I am 41 years old today and this is my 7th yearly review post. Time marches only one way, my friends…
I’ve been hugely blog-lazy this year. There are still many authors blogging very effectively, but it’s not quite the standard tool of authorial public relations that it was at one time. A lot of my day to day activity has now moved to twitter, I’ve gone over the various stages of the publishing process in the past and have little to add, and I’m less inclined to vomit my opinions at length onto the internet, having done so enough in the past and been surprised and outraged not to see the world change too much as a result. I still follow the various controversies that spring up but when it comes to contributing, I dunno, it seems like there are better things to do with my time. I’ll certainly keep the blogging going for significant announcements and the occasional review, but it’ll probably only bubble away for the foreseeable future. We’ll see…
A YEAR IN BOOKSELLING – The First Law and its sequels roll inexorably on, it would appear, and I’m told the 6 books have now sold over 3 million copies in all languages and formats, though hard data is always surprisingly hard to come by. Meanwhile I released not 1 but 2 books in a year for the first (and probably last) time, and both Half the World and Half a War made the top 5 on the Sunday Times Bestseller list. I did a load of travelling, touring and events, including visits to Australia, America, Russia, Germany, Spain, Poland, Italy, and a week’s touring in the UK. Some was great, some probably less worthwhile, and I’ll definitely be scaling the events back next year in a bid to get more work done. I actually won some awards this year, would you believe – A Locus award for Best YA Novel for Half a King, and another for best Novelette for Tough Times All Over, as well as the Schwabischer Lindwyrm for, well, showing up, I guess. That one comes with a very comely 5 kg bronze statuette, though it did trigger a security alert at Stuttgart Airport.
A YEAR IN BOOK WRITING – What with the releases and the touring it’s been a slightly strange, piecemeal year on the writing front. Jan and Feb were spent finishing off Half a War, which needed a lot of editing (much of it done on the road in Australia). Then I had a lot of trips and travelling around the two book releases, in between which I was writing the last four or five stories to complete my collection Sharp Ends. Then, over the last few months, I’ve been working up ideas for a new trilogy in the world of the First Law, and starting to experiment with the first few chapters, which is showing some promise in between my traditional and entirely predictable slumps into pessimistic despondency. It’s a strange thing – no matter how many books you write you never really feel fully equipped for the one you’re writing.
TV and FILM – Once again I’ve watched a metric shed-load of TV, most of it good to some degree. I think this year has been notable for my personal method of consumption shifting from part DVD to almost exclusively streaming via Netflix and Amazon Prime, with quite a lot of what I’ve watched being Netflix or Amazon originals. The landscape shifts, indeed it does. An eclectic set of personal favourites have included The Walking Dead, Hell on Wheels, Black Sails, Vikings, Sense8, Peaky Blinders, Attack on Titan, The Bridge (original obvs), The Good Wife, Suits, Fargo, Narcos, Gomorrah, Gotham.
What with the kids and everything the cinema doesn’t happen too often. I felt The Force Awakens walked a very fine line between all kinds of conflicting demands to deliver a hugely entertaining film that actually felt like Star Wars again even if, at times, it perhaps felt a little too much like Star Wars. But my film of the year had to be the gobsmacking Mad Max: Fury Road, a tour de force of action and design which somehow managed to be edge-of-the-seat involving without really having a plot, performances or even a script. Very much looking forward to the Hateful Eight and the Revenant in the new year, though. I’ve always loved me a good western…
GAMES – Blog laziness has meant that I’ve failed to review much of what I’ve played, but it’s been a decent year, particularly strong in the open-world roleplaying department. I actually thought the game version of Mad Max, though a little repetitive and Assassin’s Creed-y, was a nice effort with some great visuals and atmosphere . Also Assassin’s Creed-y was Assassin’s Creed Syndicate, the first Assassin’s Creed I’ve played since the rather horrible Assassin’s Creed 3. They really do make too many of these, but Syndicate was a big improvement – a nice imagining of Victorian London and a choice of more interesting central characters (including, gasp, a woman) giving it a bit more zip, even if the framing story still seems more of a lame-ing story and the use of historical characters like crime-fighting Darwin and investigative reporting Dickens rather set the teeth on edge. There was plenty to like about Metal Gear Solid V, the latest from famous maverick video game auteur Hideo Kojima – with some awesome visuals by ace Hideo Kojima, genuinely rewarding and varied tactical espionage action worked out by genius Hideo Kojima, and several of expert Hideo Kojima’s best ultra-dramatic set piece dramatic sequences that you don’t play but just watch, mostly. Unfortunately Kojima’s incomprehensible plotting, Kojima’s intensely tiresome adolescent focus on sweaty boobs, and Kojima’s endless trumpeting of his own name dampened my enthusiasm considerably. My third best of the year has got to be Bloodborne, which successfully took the ultra-challenging Dark Souls formula into cosmic horror territory with some tweaks that improved playability and atmosphere without losing the ultra-difficulty and sense of crushing darkness we all so enjoy. My second best would be Fallout 4, a cynical post-apocalyptic setting I’ve always loved and Bethesda’s most detailed world yet. Bags of content and hugely enjoyable in the early and middle games, it was somewhat let down by a lacklustre and limited central plot and an endgame that rather artlessly revealed its own total lack of choices. Which leaves, as you may well already have guessed, drum roll please, The Witcher 3 as my game of the year. I didn’t even review it at the time I was so busy with other stuff, and I played it too long ago to have a huge amount to say now, but I think it may be the best effort I’ve ever seen at combining open world and free will for the player with convincing characters and central narrative. I found the actual gameplay a little limited, after a while it became way too easy, but those criticisms aside it was flipping brilliant. A truly vast world but packed with detail, and with the kind of meaningful coherence you rarely see in a video game (maybe as a result of it being a literary world adapted, rather than a world devised purely for a game). It also featured some amazing, expressive character designs and some clever plotting with real moments of high drama. You also have to admire the developer’s cottage industry ethos and fan-friendly attitude. Two thumbs up.
WHISKY – Been a bit of a year for blends, with Taketsuru 12, Hibiki 12 and 17, and Ballantine’s 21 all scratching that smooth, light, easy-drinking itch while still retaining plenty of character. Ardbeg always works for me though this year’s Perpetuum wasn’t a patch on previous special releases like Supernova or Ardbog. Bruichladdich Black Art also hit the spot in a big way for a big, complicated, relatively lightly peated Islay.
THE YEAR AHEAD – 2016 looks like a different sort of year again, with much preparation, exploration and experimentation. Sharp Ends was finished a while back and is due out in the US and UK at the end of April. Probably there’ll be a few UK events for that, and it looks like I’ll be returning to my familiar haunt of Aviles for Celsius Festival in July, but otherwise I’m trying to keep the overseas events to a minimum so I can concentrate on getting my new trilogy up and running. I’ve already got some relatively solid ideas together for that, and have written an experimental first few chapters to try the characters on for size. Rather than planning exhaustively right away I’m aiming at an approach more similar to what I did with the First Law – work up some ideas, experiment with some scenes, revise and refine the character’s voices, work up some more ideas, refine some more, live with it and see how I feel. In an ideal world I’d like to roughly draft all three books before fine-tuning, revising and editing each for publication, as I think that’ll give me the best chance at the most complete and coherent trilogy, as well as a controlled and timely publication schedule, but I expect that’ll depend on how fast I can get this first book written, and it may be that other mysterious projects which have long been bubbling away in the background will boil over and require a certain amount of attention. Either way, there’s going to be a fair gap between Sharp Ends and my next book, but hopefully that’ll be offset by faster publication later. I shall keep you informed…
Happy new year, readers!
Posted on December 31st, 2014 in announcements, appearances, film and tv, games, news, reading, reviews, whisky deathmatch
New Year’s Eve, my friends, and you know what that means? Yes, indeed, I am 40 years old today. You would never think I used to be young. Truly horrifyingly, this is my 6th yearly review post. I’ll have to have a review of my best yearly review posts one of these new year’s eves…
A YEAR IN BOOKSELLING – Again, in spite of all my complaints, I really can’t complain. Partly due to the ongoing success of Game of Thrones, I’m sure, The First Law books continue to chug along very, very nicely. I had a short story in Martin and Dozois’ highly successful Rogues anthology in June. Then Half a King came out in July and made no. 3 on the Sunday Times hardcover list, which matches the ranking of The Heroes way back in 2010 but at a much more competitive time of year. I toured more extensively than I ever have before, with some 15 events in the UK, all of them pretty well attended, and I did a few bookshop events down the west coast of the US for the first time too and made it to Comic Con in San Diego, to Sicily, to Lucca, and a third visit to my old friends in Aviles, Spain.
A YEAR IN BOOK WRITING – The heavy touring schedule through July and August got in the way somewhat, but even so it was a good year in the writing department too, if a pretty demanding one. I wrote the last quarter of Half the World, revised and edited it, then wrote a first draft of Half a War, and gave it a fair hammering this month to produce a second draft that I’m starting to get happy with. I’ve a few more things to do and another pass through focusing on the secondary characters to get to a decent third draft which I can hand in to my editors mid January, but the book’s mostly there. Seems like only yesterday I was pitching this series to publishers and now it’s nearly done…
BOOKS – I really am hardly reading at all these days, it’s a disgrace. When I finish Half a War I desperately need to take my foot off the gas and start reading again, hoover up some ideas and inspiration, catch up on the truly massive backlog I’ve got sitting in tottering heaps all around me. But two things I read this year that I’d certainly recommend are Kameron Hurley’s God’s War, and Jeff Vandermeer’s Annihilation. Neither the kind of thing I write, particularly, but then who wants to piss where they eat…?
TV and FILM – Boy, the cinema has barely registered this year. I think the only film I reviewed was Fury, which was OK but ultimately a gritty wrapper around a rather traditional, sentimental war movie. Guardians of the Galaxy was good fun but I was a little underwhelmed after all the nerdgasms I’d seen about it – seemed like more of the Marvel same in the end, if with a few more laughs. Gone Girl was a very well-made film but seemed a bit hamstrung by a really odd casting choice in Ben Affleck – the guy just comes across as too much of a likeable lunkhead and I felt they needed someone much darker and more dangerous to really balance the central relationship and make us unsure what was going on. Rather than equally evil couple of bastards reap the whirlwind they sow for each other, we got mildly unpleasant idiot is totally screwed over by his psychopathic wife, and that’s a lot less interesting in all kinds of ways. For me the TV standout was the searing climax of Breaking Bad, which has to be one of the greatest pieces of TV I’ve ever seen, about as close as you’ll get to a single 5 season story arc with novelistic coherence of theme and character. Highly honourable mentions to a bloody, strange and gritty second season of Vikings and the punishing 3rd and 4th seasons of The Walking Dead after its slightly limited 2nd season. Justified continues to be elevated way above its rather banal set-up by great script and acting in which every character overflows with Elmore Leonard-y detail. Orphan Black was good largely thanks to its brilliant central multiple performance. Suits is entertaining if a little lightweight. The Good Wife continues to be highly watchable and always that little bit darker than you expect. Arrow was enjoyable enough superhero hokum but fell short of its gritty ambitions. Black Sails was enjoyable enough pirate hokum, good when it put to sea but too often foundering on land. The 1st season of House of Cards was very strong, with a great mood and super central performances from Kevin Spacey and Robin Wright, but I felt the 2nd season was a lot less believable. Hell on Wheels sadly crashed off the rails for me in its 3rd season after an action-packed 2nd.
GAMES – Last year had some splendiferous stuff in the form of The Last of Us, Bioshock, Tomb Raider, Telltale’s Walking Dead etc. as developers pushed the last generation of consoles to their limits and stretched unused storytelling muscles while doing it. This year began on a high with Dark Souls II, more ultra dark, ultra hard Japanese/Western hybrid roleplaying but with the difficulty softened just a little this time around. Moving over to PS4, the results have been a little more pedestrian than last year. Destiny was pretty and compelling and did give me a hell of a lot of gaming hours but ultimately was a slightly empty experience. Diablo III I found rather by-the-yard-y. Far Cry 4 good, but very much like Far Cry 3. Which leaves Dragon Age: Inquisition as my personal game of the year. One could criticise the gameplay, the voice acting, and the somewhat vanilla plot line, but the world, characters, detail and sense of immersion were top class.
WHISKY – Lack of time meant my planned Whisky Deathmatch: Islay Bloodfeud never happened. Well, it happened in the sense that I drunk the whisky, I just didn’t get round to writing about it. In brief, though, bottles I’ve particularly enjoyed this year: Lagavulin 12yo cask strength (smashed in the face with a sack of burned lemons), Ardbeg Supernova 2014 (Ardbeg, only more so, and with a touch of sweetness to it), Laphroaig Triple Wood (salty medicinal goodness with a sherry-wood softening), Amrut Fusion (awesome whisky distilled in India from Scottish and Himalayan barley), Talisker 30yo cask strength (full fathom five thy father lies).
CONTROVERSIES – I noted last year that after 7 or 8 years in the business I’m getting less and less interested in the cyclical nature of genre commentary. I’ve already expressed my opinion one way or another on most issues of note, and when they come up again, I find a world weary sigh gets across most of what I feel, an attitude reflected in my post on this year’s controversial Hugo Awards. That’s part of the reason for the greatly reduced blog presence of late, though that’s also a function of the sheer amount of stuff I’ve got going on. I’m finding twitter (@LordGrimdark) a better medium for general conversation, and I’m tending to use the blog only for more considerable announcements and reviews. This relatively thin level of posting may well continue next year, because…
THE YEAR AHEAD – My, oh, my, but 2015 is shaping up to be a busy one. I’ve already got visits confirmed to Detroit in Jan, Australia in Feb, Dubai in March and St. Petersburg in April. I’ve got not one but TWO books coming out: Half the World in February and Half a War in July, the first time I’ve done a publishing schedule anything like so densely packed. Since I toured in the UK and US only a few months back there probably won’t be a lot of events for Half the World, but expect another full-on tour in July for Half a War. Writing-wise, I’m going to be kept fully busy until the end of February with edits and revision on Half a War, then I’ve got a few short stories to write to complete a collection which will hopefully come out some time in 2016. It’s looking as if the main part of next year may be given over to some exciting non-book projects, of which more in due course, but I also need to lay the groundwork and do some thinking for another trilogy in the First Law world, although the publication of that looks like it will be some way off…
Happy new year, readers!
Posted on May 13th, 2013 in whisky deathmatch
Well, I’m not totally sure Whisky Deathmatch has been particularly useful to my career, but I certainly enjoyed the tastings and, ignorant though I remain, I feel I’ve learned a great deal from the experience of comparing whiskies against each other. Plus I’m a massive fan of colons in titles, so coming your way over the next few months shall be the thrilling sequel to Whisky Deathmatch…
Whisky Deathmatch: Islay Blood Feud
Dangerous sounding, huh? I started last time thinking I like the cleaner, fresher whiskies more, and hence had two lowlands and five speysides in my dozen, but I ended up being more excited by the smoky and savoury options, and my winner was the Mad Sorcerer of Islay, Ardbeg Corryvreckan. I felt there’s a degree to which sweet and clean whiskies are all somewhat alike, whereas the peaty seem somehow more varied. So I thought this time around, you know what, let’s concentrate on Islay, and try and get at least one option from each of the significant distilleries on this home of the peaty. It’s a small island, but it looms large in the whisky world, that’s for sure. Stepping into the arena we’ve got:
Ardbeg Uigeadail – another cask strength beastie from Ardbeg, a little lower down their range from Corryvreckan, and with some sherry-wood in the mix, so probably a little sweeter and less crazy than last time’s champion.
Lagavulin Distiller’s Edition – a distillery known for smoke, their standard 16 yo is a favourite of mine already, but some sherry sweetness in this special edition.
Laphroaig Triple Wood – Prince Charles’ favourite distillery, but I’m not holding that against them. This is a new expression from masters of the medicinal Laphroaig, again with some sherry wood in there to calm the mighty smokes, and a chunky 48% bottling.
Bruichladdich Laddie 16 – Bruichladdich has one of the biggest and most experimental ranges of any distillery. Their classic expression is light on the peat, heavy on the character, and comes in 10, 16, and 22 year old ages. This is the 16.
Bunnahabhain 18 – A lesser known Islay distillery whose core eighteen year old is again light on the peat smoke.
Octomore 5.1 – Little bit special this, the fifth batch of Bruichladdich’s ultra-peated, 5 year aged, 59.5% experiment, supposedly the peatiest whisky known to man.
Then we’ve got two boxed sets of three 20cl bottles from smoke-meisters Caol Ila and Bowmore, that I’ll compare against each other before we get started. The Bowmore has a 12yo, 15yo Darkest (with some sherry wood in there) and 18yo. The Caol Ila has a 12yo, a 12yo Cask Strength, and an 18yo.
Finally, leaving Islay for a couple of further flung curiosities that I’d heard good things about:
Amrut Fusion – coming all the way from India, a much-praised mixture of Himalayan and peated Scottish barley.
Yellow Spot – and whiskEy from Ireland, triple distilled in a traditional Pot Still then matured for 12 years in three different barrels.
I’ve already had a little taste (in some cases a bit more than that) of all these and I can tell you we’ve got some mouth-watering matches in prospect. First off I’ll decide which is my favourite of the Caol Ila and Bowmore bottles, then we’ll have 5 first round matches. Five winners and one wildcard will compete in 3 second round matches, and 3 winners and one wildcard will make our semi-final four. I may simplify my approach a little bit, as well, we shall see how we do…
Posted on May 2nd, 2013 in whisky deathmatch
Welcome to the Whisky Deathmatch grand final! Can you smell the excitement? Smells like whisky, doesn’t it? That’s because it is! 12 Whiskys entered, and via a tortuous process of elimination, only two remain. Bladnoch 20, An Cnoc 16, Dalmore 15, and Aberlour 18 went down in our first round. No disrespect to them, the competition was fierce. Bruichladdich Infinity and Talisker 18 were two strong losers allowed into the second round on a wildcard, but there they fell along with Longmorn 16 and Auchentoshan Three Wood. A pair of titanic battles in the semi-finals left Glenfarclas 21 and Highland Park 18 in shattered pieces. But now, who shall prevail to take the greatest prize in Whisky given by a British Fantasy author who isn’t Mark Charan Newton? Will it be the Mad Sorcerer of Islay, Ardbeg Corryvreckan, or the Golden Assassin of Speyside, Balvenie Single Barrel…?
Ardbeg Corryvreckan: 57.1% abv, £61.95
Balvenie Single Barrel – 47.8% ABV, £50.75
The cask strength of the Corryvreckan has enabled it to crush less potent adversaries through sheer force of alcohol. It made even a volcanic old sea dog like Talisker 18 look less Captain Blackbeard and more Captain Birdseye. Its unholy power was too overwhelming even for a subtle mastermind like Highland Park 18. Once again it will field a considerable advantage in concentration, but at 47.8% the Balvenie is far from shabby, an uncompromising sipping strength that blew 40% Dalmore 15 away like chaff on the breeze. The Balvenie also weighs in at more than a tenner cheaper – that’s the price of an e-collection of Joe Abercrombie’s classic fantasy trilogy, The First Law, for heaven’s sakes! On paper these two look delightfully balanced. But how do they look … off paper?
LOOK – In many ways Ardbeg and Balvenie have gone for opposite approaches in their presentation and marketing. Balvenie’s tube and label are clean white with simple black lettering, Ardbeg’s are charcoal greenish-black with golden highlights. Balvenie’s choice of fonts, plus a few hand-written markings on the label, bring to mind the eighteenth century. Ardbeg’s celtic accoutrements aim at the legends of prehistory. Balvenie’s packaging says, ‘light, sweet, classic,’ with spiel that emphasises tradition and quality, while Ardbeg’s says, ‘heavy, smoky, challenging,’ with spiel that emphasises myth and mystery. I think they both hit pretty much what they aim at, and Ardbeg gets bonus points for exhibiting a little sense of humour and doing something different from the endless twaddle about the best casks, the best water and the special floor maltings, but I think the Balvenie is much the more attractive, and its wooden stopper and metal wrap scores a palpable hit over Ardbeg’s plastic ones. A points victory to Balvenie this round, but it’s in the glass that the knockout blow will be delivered…
SMELL – With the Corryvreckan, to quote an earlier me because I’m not sure I can say it any better – The rocks crack in the unknown deep and the sea boils with the fearsome heat of the fires below the world. The knotty pine is ripped asunder by a blinding stroke from the heavens, storm-fire sweeping the parched bracken. Then the magic words were chocolate-whispered in the pepper smoke of the coffee cauldron, and the words were, ‘disinfectant tablets.’ With the Balvenie – Gold! A crystalline sugar sweetness with a citrus sting in the tail. Upon a lost island swept by honey storms there is a labyrinth made of lemons, and in the centre of that labyrinth is a golden lion with a face made of barley sugar but the tail of a scorpion. What golden treasure does it guard? What priceless treasure? Only the opportunity to sip…
TASTE – I’ve drunk close to the whole bottle of Corryvreckan, now, with a little help from a well-meaning friend or two, but it still surprises me every time. To put it in your mouth is to step into the unknown. It’s as close as I think I’ve ever come to a mind-expanding whisky. Partly it’s the high strength, but I’ve drunk stronger whiskies that are much less strange and challenging in their range of flavour. It delivers an initial heat that’s almost painful, a chili zing across the tongue, then you get the strange cornucopia of unusual flavours, but instead of Willy Wonka’s gum that gave you a three-course meal, here you get visits to chemical works, sawmills, and the bottom of the sea. Plus chocolatey, coffee-ish flavours, unidentifiable fruits and an antiseptic tang that persists long after you’ve swallowed it. Baffling, gobsmacking, bizarre. Now some water will most definitely be needed to swab the persistent salty warmth from the inside of my mouth, then the Balvenie. Gentler, of course, and with a disarming initial softness, but a potent spicy tingle soon builds nonetheless. Honey sweetness, but so much citrus sharpness too, and perhaps a little smoke on that long, long finish. Reminiscent of a lot of Speyside whiskies, but after the workout montage in the middle of the film – cleaner, stronger, quicker, sharpened to a ruthless edge, maintaining that easy-drinking sweetness but with a sense of deadly purpose.
CONCLUSION – This is a really tough one to judge, and I’ve been going back and forth on it for a while. Without doubt, two great whiskies and two worthy finalists. A lot of it depends on what you like, what you’re in the mood for, because in many ways they’re exemplars of opposite styles. The Corryvreckan is like other Islays, only more so: Smoky, peaty, briny, uncompromisingly savoury, ruthlessly challenging, wild, mad, and ferocious as a stormy sea. You wouldn’t call it pleasant, but you’d certainly say it’s amazing. The Balvenie is unsherried Speyside par excellence: Clean, sharp, sweet, definitely pleasant but with plenty of depth and a deadly citrus edge, easy to drink but difficult to forget, fresh and zesty as a spring morning. Oh, crap, it’s a hard choice, but no one said this would be easy.
RESULT – The Balvenie is gorgeous, with everything you could ask for in a Speyside, and a delight to drink, but, but, but, smelling and tasting the two together, one simply cannot deny that the Corryvreckan is the more intense, the more original, the more powerful experience. It’s a really close run thing, but …
My Whisky Deathmatch Winner – Ardbeg Corryvreckan.
Coming next – I pick over the shattered glass and the whisky soaked sand of the arena in a Whisky Deathmatch post mortem. What have I learned from this exercise…?
Posted on April 1st, 2013 in whisky deathmatch
Our second semi-final pits two exemplars of contrasting Speyside styles against each other, and it’s going to be no easy contest. Bourbon barrel matured sweet yet sour connoisseur’s option Balvenie Single Barrel annihilated a pleasantly marmaladey but slightly limp-wristed Dalmore 15, then laid waste to much-loved plucky wildcard Bruichladdich Infinity, which had only just dusted itself off after a pummelling from the unholy powers of our savoury finalist Ardbeg Corryvreckan. Well-aged sherry matured classic Glenfarclas 21 outmanoeuvred a closely matched opponent in a gentleman’s club standoff against Aberlour 18, then outclassed Lowland contender Auchentoshan Three Wood to make the final four.
Glenfarclas 21: 43% abv, £59.95
Balvenie Single Barrel: 47.8% abv, £50.75
The Glenfarclas is one of the most expensive whiskies in the competition, but full sherry-barrel matured, and also the oldest, it starts to look like a bit of a bargain. A Macallan of this age would weigh in at three or four times the price. So age and experience definitely on its side. The Balvenie, on the other hand, is a connoisseur-style single barrel, which is to say it’s been drawn straight from a unique and never to be repeated individual cask, selected by a Malt Master for it’s particular character. It has the considerable advantage in price and strength, with a meaty 47.8% bottling.
LOOK – Glenfarclas? Got to say I’m not into that tube AT ALL. Red and green should never be seen. A real christmas in the 80s vibe. And a red metal end? I shudder. The bottle’s pleasant enough, although I’m not a fan of coloured glass, myself. What have they got to hide? Classy looking, and a good pourer, although that font does look a bit dated. Like something John Thaw might be coshed over the head with in an early episode of The Sweeney. The bumph hits familiar touchstones of family, tradition, oldness, stills, oldness, tumbling water, oldness, and family. Little bit meh, all in all, could do better. Balvenie? They too bumph it up with tradition, dedication, tradition, craftsmanship, tradition and maltings, but with a side order of unique conoisseur-y single-barrelness. I think they actually hit exactly the feel that Glenfarclas slightly miss here. CLASSIC. All black and white and unpretentiously functional with a little bit of a swirl, and a well-shaped bottle with nothing to distract you from the spectacular golden colour of the spirit within. A palpable hit for Balvenie.
But it’s not really about what they look like, is it? Let’s see what happens when you put them inside your head…
SMELL – With the Glenfarclas – Sweetness and age, good-fellowship and experience, silky skills and far reaching networks. Friends everywhere. The wood-panelling, paintings of racehorses and patinated leather of the gentlemen’s club. ‘You’re one of us, now, and that’s a good thing to be. One day the club may come to you and ask a favour. Until then, you need anything, and I mean anything, you can always come to the club…’ With the Balvenie – Gold! A crystalline sugar sweetness with a citrus sting in the tail. Upon a lost island swept by honey storms there is a labyrinth made of lemons, and in the centre of that labyrinth is a golden lion with a face made of barley sugar but the tail of a scorpion. What golden treasure does it guard? What priceless treasure? A good deal more edge than the Glenfarclas, all fresh and zesty like sprinklers on a spring morning (a proper spring, not this late winter shit we’ve been having).
TASTE – The Glenfarclas really does make you feel like a million bucks, and it’s pretty much exactly what you’d hope for from a sherried Speysider. A rich and robust mouthfeel. Then it turns smooth, fruity, luxurious, with a long, long finish and, even though it’s bottled at a reasonably average 43% it doesn’t lack authority at all. It ain’t just sweet cough medicine, it’s got character, a little wood and a smoky sternness beneath all that glad-handed good-fellowship. The Balvenie – ah, it just seems to explode upon the tongue in a sherbet cornucopia of sweet honey and sour lemon, tailing off into gingery spice and leaving you with a long waft of sugary perfume. Zing. It’s lemonade and lime with a hot spice edge, its fresh bitter lemon with a frisson of tough wood and heady scent, it’s beauty AND the beast…
CONCLUSION – Again, I really like both of these – two generally sweet whiskies but with plenty going on below the surface. The Glenfarclas has that plummy sherry sweetness but with the silky smoothness and a puff of smoke on the end. The Balvenie has a crystalline honey barley sugar vibe but with that tart citrus edge and an explosion of spice. A lot of it is going to be a matter of taste, but for me the Balvenie is a shade more interesting, a shade more dangerous, and with the extra strength and nigh a tenner cheaper, it’s really not such a difficult call to make.
RESULT – Glenfarclas is without doubt a well-heeled sherried Speysider with bags of class, clout and influence, and a proper bargain at this price. But the Balvenie is too strong, too sharp, too deadly. This time it’s youth over experience, and the added pleasure of being able to throw out that green tube…
The Winner – Balvenie Single Barrel.
Coming next – There can only be one. Can the gilded charms of Balvenie overcome the diabolical arts of Corryvreckan? It is the Whisky Deathmatch Grand Final…
Posted on March 8th, 2013 in whisky deathmatch
Semi-final time on whisky death-match, people, and we begin with the salty side of the draw, pitting subtle island genius Highland Park 18 against brilliant Islay madman Ardbeg Corryvreckan, and this is going to be a very tough one to call. Highland Park overcame tough talking sea-tar Talisker 18 and brushed aside style over substance Longmorn 16 in order to get here. Ardbeg Corryvreckan overpowered the courageous Bruichladdich Infinity then blew Talisker 18 (back in on a wildcard) out of the water.
I think it’s fair to say that the four whiskies in our semi-finals (Glenfarclas 21 and Balvenie Single Barrel being the other two) are all very different in character and each an excellent example of its type. So a lot of this is going to depend on individual preference and indeed mood on the day. But this ain’t whisky let’s-be-nice-to-everyone-and-sing-kumbaya-together. This is WHISKY DEATHMATCH. There can be only one etc. etc. To the arena! The arena that is my face.
Highland Park 18: 43% abv, £57.95
Ardbeg Corryvreckan: 57.1% abv, £61.95
The first thing to note, of course, is that while we have a rough parity in price, the strengths of these two are anything but equal. The Highland park weighs in at 43%, which is an appreciated notch above your bog-standard 40 and a nice enough sipping strength, but pales next to the Corryvreckan, which is a full-on cask strength at 57.1%. If this were a scientific taste comparison, it might be fairer to water that big Ardbeg beast down a little, but the fact is you can do that if you want to, whereas you can never undilute the Highland Park. So fearsome concentration is really an advantage of the Ardbeg you have to take into account. I shall therefore be sampling it in its potent raw state. To the comparison…
LOOK -Highland Park’s presentation is perhaps a tad busy, with its textured bottle, multicoloured label, and onslaught of different fonts emphasising the traditional credentials of their ingredients and process (as is extremely common in the whisky blurb business), but the whole package looks classy, and strikes a nice balance between classic and contemporary. Both have a touch of the celts in their design, but Ardbeg have dialled up the brooding pre-history vibe with their black and gold stylings and menacing dark green glass, with much more abstract bumph that proclaims Corryvreckan, “Powerful and dangerous. A terrifying spectacle … A wild, untamed spirit …’ Untamed it may be, but it loses significant points for having a plastic wrapper and, worse yet, plastic cap. On a £60 bottle of whisky, especially one masquerading as a celtic historical artefact? Disappointing. I generally prefer clear glass as well, so I can see the colour of what I’m drinking. So Highland Park the winner on the packaging, I feel. When it comes to the fluids themselves, The Highland Park is a pleasant light amber-gold with plenty of body. The Corryvreckan, by contrast, is surprisingly light straw yellow and runny for something this strong.
But it’s not really about what they look like, is it? Let’s see what happens when you put them inside your head…
SMELL – With the Highland Park – ah, the salt wind whips the grasses on the cliffs above the foaming brine, though doesn’t it? Hair streams and the spume flies from the painted prow while the bees buzz busy among the pink heather flowers. A curl of sweet peat-smoke from the stacks on the high hill tickles at the nose, and reminds us of a time that never was when we were all without cares together… With the Corryvreckan – The rocks crack in the unknown deep and the sea boils with the fearsome heat of the fires below the world. The knotty pine is ripped asunder by a blinding stroke from the heavens, storm-fire sweeping the parched bracken. Then the magic words were chocolate-whispered in the pepper smoke of the coffee cauldron, and the words were, ‘disinfectant tablets.’
TASTE – The Highland Park really is very pleasant indeed to drink. Firm in the mouth with lots of presence. A welcoming tingle, then a savoury, leafy, herby, nutty grassiness. Light salt. Lots of different notes seem to come through but I’m not clever enough to really tell you what they are. Some fruit in there, some spice, some sticky ginger, maybe? So many elements in beautiful balance, always developing. A long smoky ending, but all subtle, nothing overpowering, something for everyone and every occasion. Easy company but deep insights. Love it. And now batten down your hatches, hear comes Corryvreckan. Time and familiarity have bled some of the gobsmacking strangeness from the experience of putting this in my mouth, but it still raises the eyebrows every time. Nothing is subtle here, all is extreme, a cauldron of furious passions. First comes the heat, the peppery zing on the tongue, a baffling mix of peaty, soily, wet earth savour, liquorice disinfectant with sappy pine freshness, fearsome dryness and mind-warping strength wrapped up in raging fires and heavy smokes. My mouth, my beautiful mouth, send for those strapping gentlemen of her majesty’s fire brigade…
CONCLUSION – I really like both of these – two challenging, complex whiskies with an awful lot going on, that often strike you very differently on different days. Indeed to fully plumb the subtleties of the Highland Park 18 it’s been necessarily for me to drink nearly all of it. The Highland Park is wonderfully subtle, savoury and deep, sweet notes really coming through in comparison with the rugged dryness of the Corryvreckan, which remains uncompromisingly wild, extreme, and shocking. It truly is the mastermind against the evil genius, Holmes against Moriarty, Professor X against Magneto, Gandalf against Sauron. I’d love to try the Highland Park at cask strength (no shit, Sherlock), and I think with that additional punch it could easily emerge the winner. But as things are you just can’t escape the explosive audacity of the Corryvreckan. All shall love it and despair…
RESULT – Well, Gandalf’s a good guy (unless you’re an Orc), and a great guest at a tea party, but the smart money was always on the big bad. The schemes were hatched, the plans were laid, every stratagem was employed, but in the end Frodo just weren’t making it to Mount Doom this time around.
The Winner – Ardbeg Corryvreckan.
Coming next – Swab down your taste buds for our sweet semi-final, a clash of Speyside styles in which sherried Lord of the Gentleman’s Club Glenfarclas 21 takes on the Golden Assassin, Balvenie Single Barrel…
Posted on February 1st, 2013 in whisky deathmatch
Ooooh, we’re getting to the sharp end now. Twelve whiskies entered, and after two rounds and ten fights to the doom, crushed boxes and shattered bottles, corks ripped from necks and whisky gouting, spritzing, spraying and sprinkling the sands of the arena, only four are still standing – Savoury and sophisticated mastermind Highland Park 18, dangerously unhinged supervillain Ardbeg Corryvreckan, ultra-suave powerbroker Glenfarclas 21, and beautiful yet ruthless Balvenie Single Barrel.
Any one no doubt a worthy champion, but which pair shall face each other for the ultimate prize in . . . er . . . whisky tastings by English Fantasy Authors? No! Curses, that would be Mark Charan Newton’s whisky blog. The greatest prize in the whisky deathmatch section of this blog. Yes! Ahem.
Our semi-finals, to be conducted over the next couple of weeks (maybe), shall be, on the salty side of the draw:
HIGHLAND PARK 18 vs ARDBEG CORRYVRECKAN
And on the sweet:
GLENFARCLAS 21 vs BALVENIE SINGLE BARREL
Mouth watering deathmatches in prospect! I can’t wait to get started! Is 8.45am considered too early for a dram? Probably I should wait ’til 9. But then I am on a break, right…?
Posted on December 12th, 2012 in whisky deathmatch
The last of our Quarter Finals is a highly appealing contest between two very different whiskies…
Balvenie Single Barrel – 47.8% ABV, £50.75
Bruichladdich Infinity – 50% ABV, £44.95
Balvenie Single Barrel destroyed Dalmore 15 in our first round. I thought it smelled “Sweet and sour, crisp and sharp, sweetness with zingy lemon, a sherbet-ish tingle. Oh, man, I could smell this all day. Really, I may have to walk around with a glass of it gaffer taped under my nose.” And tasted, “Even better than you’d expect from the smell. Sweet and strong, clean and clear, with lots of citrusy fruit. Graceful, elegant, beautifully balanced, but with a razor edge, and a finish that runs, and runs, then delivers a final spicy sting. Awesome.” And concluded it was, “Sublime honey sweetness with a deadly citrus sting in the tail.”
Bruichladdich Infinity was unlucky to cross swords with the diabolical powers of Ardbeg Corryvreckan in the first round, and went through as one of our best losers. I found it to be an excellent all-rounder – “Firm in the mouth, sweet and fruity but tough and smoky at the same time. A hint of metallic saltiness. Simultaneously very drinkable and very interesting. Strong but not overpowering. Don’t push it around because it’ll push back, bottled at 50% and meaning business. A tough friend to make, but a good friend to have. A reassuring presence in a tight corner … A tough and loyal balance of the sweet and the smoky.”
Ooh, a mouthwatering clash in prospect here between two excellent whiskies closely matched in strength and price but with two very different styles. Bruichladdich from rugged Islay where things are traditionally smokey and peaty (though Bruichladdich not always, I’ll admit), Balvenie a classic Speyside where things tend toward the smooth, sweet, and mellow. The Balvenie is (obviously) a single barrel, which is to say it’s the output of one individual cask selected for its class and character, no more no less, in the classic connoisseur manner. The Bruichladdich is a multi-vintage vatting, which is to say it’s been blended together from many casks of various types and ages to create a given effect, ‘a sophisticated flavour profile elevated to a stellar level,’ as the marketing bumph has it, although since they’re all Bruichladdich it’s still a single malt. I also happen to think these are two of the best presented whiskies in the dozen, with diametrically opposite approaches. The Bruichladdich has gone for an ultra-modern smoked glass techno look, emphasising their credentials as a progressive, experimental outfit. Balvenie is all classic shape, wooden stopper and handwritten white label with clear glass allowing the sublime honey yellow colour of the spirit to do the talking, emphasising their credentials as an authentic, traditional outfit. But what about the contents?
On a second tasting, I’d say my opinion of these two pretty much holds. The Bruichladdich really is an excellent all rounder. It’s strong but not too strong, it’s good value, it’s beautifully presented, it has sweetness, it has smoke, it has body, it has drinkability, it has personality. I’ve become greatly partial to it, and can imagine reaching for it happily on pretty much any occasion. An easygoing charmer. A jack of all trades.
But that Balvenie Single Barrel is something else. Presentation, scent, taste, it all reeks of class. There were three unsherried Speysides in my dozen and this absolutely blows the other two (Longmorn 16 and AnCnoc 16) out of the water. So sweet yet so sharp, so silky yet so edgy, so beautiful and yet so deadly, and all capped off with that wonderful zingy sherbet spice. Awesome.
So the Bruichladdich has definitely made its way into my affections, and I look forward to tasting more from the ever-expanding range of this exciting distillery. But, for this week at least, my heart belongs to Balvenie.
The Winner – BALVENIE SINGLE BARREL
Posted on December 3rd, 2012 in whisky deathmatch
Due to various touring responsibilities it’s been a fair while since I was able to turn my hand to what really matters – whisky deathmatch, but finally I have time to give the third of our second round face-offs the attention it deserves, and ARRRRRR but it’s a mouth-pummeling heavyweight clash between two tough and hairy, smoky, savoury, salty sea-dogs in Ardbeg Corryvreckan and Talisker 18. Shiver me timbers.
Ardbeg Corryvreckan – 57.1% ABV, £61.95
Talisker 18 – 45.8% ABV, £58.49
Ardbeg Corryvreckan employed demonic arts to overcome Bruichladdich Infinity in a tightly fought Islay grudge match. That Bruichladdich surely was a great all-rounder, but the Corryvreckan was something else. It smelled, “like paint stripper meets wet earth at a barbecue and they have beautiful salty babies together” and upon tasting, “the magic portals are flung wide and the mysteries of the cosmos revealed. An utterly strange array of tastes. You know that sweet Willy Wonker does that’s a whole meal in one go? Like that. Ruggedly savoury and fearsomely dry. There’s pine in there, liquorice, maybe? A hint of those disinfectant capsules you used to get in urinals. Not that I ever ate one, but, you know … then there’s spicy pepperiness, coffee and bitter chocolate, smoke throughout and lingering long after. Odd, odd, odd, but in a good way. A very good way. The very opposite of easy drinking – challenging, difficult, baffling, endlessly surprising. An evil genius. A dark lord. The most eccentric of Bond villains. A mighty sorcerer driven insane by experiments with forces from beyond our dimension.” It is the strongest, most expensive, and most uncompromisingly challenging whisky among our twelve contestants.
Talisker 18 was in fact the loser in a no-holds-barred seaside duel with fellow Island giant Highland Park 18, but came through as a wildcard. I said of the Talisker, “Very rich, almost gloopy, very fruity, very — KERPOW! It explodes in your face with a ripping broadside. Huge spiciness, almost hot chilli-like fires of Mount Doom. Muscular, merciless, a hairy-chested, tattoo-forearmed pirate captain. Avast ye, me hearties. Big smoke. Big beach bonfires. Everything about it is big. Ships aflame, down to Davy Jones’s Locker, full fathom five thy father lies. Almighty, tongue tingling finish with a lingering memory of smokey salt. Zounds.” Truly it is a warming bear hug of a whisky and there’s a lot to like – the very thing for an arctic expedition, but for me the Highland Park had the edge in cleverness, subtlety and versatility.
Ouch. Two powerful and uncompromising rivals here. Those with mouth ulcers need not apply, and I suspect a good deal of palate cleansing will be required between tastings. But a man’s got to do what a man’s got to do…
The Corryvreckan has perhaps lost some of its crazy edge with further sampling. At least you go in knowing something of what to expect, but there’s something new every time. That strange heat, that fearsome atacama dryness, that earthy seaweed raw alcohol tang, that baffling mixture of tastes with the dark chocolate bitter coffee finish. Some of its unholy power is in the high strength, but even with a dash of water it takes no prisoners and makes no apologies and dares the witchfinder general to hunt it down and burn it at the stake if he thinks he’s hard enough.
In this intimidating, if not to say insane company, the Talisker seems almost easygoing. A friendly, jovial, welly-booted old merchant seaman. More Captain Birdseye than Captain Blackbeard. More peppery than super spicy. It’s amazingly heavy and gloopy, given its lower strength, though 46% is certainly nothing to complain about. It remains a very nice, classy whisky, the perfect thing for a chilly winter evening before the fire with a tartan blanket pulled up to your neckbeard. It’s been unlucky in its opponents, without a doubt. It’s certainly more drinkable than the Ardbeg but in the end the gobsmacking strangeness of Corryvreckan cannot be caged, cannot be controlled, understand this as you die, ever pathetic, ever fools!
Bonus points to anyone who can identify the source of that classic quote…
Posted on September 21st, 2012 in whisky deathmatch
The second of our quarter finals matches the well-heeled Speyside charms of Longmorn 16 against the highly rated Island character of Highland Park 18.
Longmorn 16 – 48% ABV, £48.75
Longmorn 16 very narrowly defeated AnCnoc 16 in a slightly uninspiring match between two unsherried Speysides that I found to be very similar. I described Longmorn as ‘a drinkable summery malt with a good bit of spice … tingly, peppery, oaky … a soft, malty, cereally, shreddies-y kind of a sense .’ But found that perhaps the most interesting thing about it was its over-the-top presentation, with magnetised box, leather foot on the bottle and metal tab proclaiming it ‘SINGLE MALT SCOTCH WHISKY’ in case you were in any doubt.
Highland Park 18 won one of our most toughly contested first round matches against fellow Island giant Talisker 18. On first tasting I considered describing it as half seawater, half dishwater, but found it grew on me fast. I ended up describing it as “Savoury, almost herbal. Leafy, grassy. Deeply complicated. Beautifully poised. Lots going on. A long and smoky ending, but heather camp-fire rather than roaring furnace. A respected academic, suede patches on the elbows, lounging cross-legged in his leather wing chair, considering the arguments of his hapless students and then, steeple-fingered, demolishing them with an off-hand line … Pour me another you suede-patched mastermind.”
Comparing these two is interesting. Being up against something so similar in the AnCnoc didn’t necessarily give the Longmorn the chance to shine. Now that soft, cereal maltiness really comes through, barley sugar sweetness, followed by the big spice, firm in the mouth. Lots of authority in that 48% bottling. It’s a real nice whisky, actually. A cereal killer. A ho ho. By contrast, comparison with volcanic, bruising Talisker really brought out the subtleties in the Highland Park. Against Longmorn it’s the salty, smoky island character that you first notice, but then those savoury, grassy, herbal stylings make their way through. So balanced, so much going on. A real mastermind of a whisky. Longmorn looks a lot better this time around. But even with the stronger bottling and the cheaper price, not quite good enough…
The Winner – HIGHLAND PARK 18